1980 Yamaha Japan SF500 Super Flighter Dual Humbucker MIJ (Brown Sunburst)
Yamaha designed the SF Series in the 1970's to "give the modern guitarist a new experience in sound versatility". The unique double cutaway is both functional and aesthetically pleasing and allows great access to all 24 frets.
Info from yamahasuperflighters.co.uk:
The SF500 was the lowest model of the range, featuring lower specifications hardware and a bolt-on neck to save on material and production costs. Regardless of this, Yamaha still treated this model as part of an elite range of guitars and they were set-up from the factory with a remarkably low action just as with the higher models. This is just one thing to prove how well Yamaha treated their customers, by providing both outstanding quality of instruments and customer care to make the elite guitar experience accessible to buyers of any level.
As with many cheaper guitars the SF500 was made almost entirely of mahogany, with the exception of the rosewood fretboard. There are a number of contradicting suggestions about the body construction, whether it is solid mahogany or a mahogany back with three piece maple top. According to the Super Flighter owner’s manual, it’s a combination of mahogany and taun.
Other than the differences in choice of wood and the use of a bolt-on neck, there are a number of other differences from the higher model Super Flighters. From a purely aesthetic perspective, the SF500 is the only model to feature dot fret markers. The pickups are Yamaha’s own “F-II” humbuckers which are shared with the SF700 range. On the pickups are two contacts allowing them to be wired for a coil-tap, although as stock they were only wired as a full humbucker. Extra wiring can be added after-market and often is on the SF700 particularly. These pickups on a mahogany body guitar don’t sound particularly bright but have incredible sustain. The sound is not of a dissimilar quality to high end Epiphone or PRS SE pickups.
The mahogany neck features a rosewood fretboard like the SF700 but has a thicker, ’50s profile. For players more interested in thick, ’50s style necks, this might be ideal. The frets are medium jumbo as standard, assuming they haven’t been worn down over the years…
This example is in great overall condition and plays very smooth. Has a few small dings as pictured, but nothing impacting on playability.